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A biographical history of the fine arts, being Memoirs of the lives and works of eminent painters, engravers, sculptors, and architects. From the earliest ages to the present time. Alphabetically arranged, and condensed from the best authorities. Including the works of Vasari, Lanzi, Kugler, Dr. Waagen, Bryan, Pilkington, Walpole, Sir C. Eastlake, and Mrs. Jameson. With chronological tables of artists and their schools, plates of monograms, etc., and supplement

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A biographical history of the fine arts, being Memoirs of the lives and works of eminent painters, engravers, sculptors, and architects. From the earliest ages to the present time. Alphabetically arranged, and condensed from the best authorities. Including the works of Vasari, Lanzi, Kugler, Dr. Waagen, Bryan, Pilkington, Walpole, Sir C. Eastlake, and Mrs. Jameson. With chronological tables of artists and their schools, plates of monograms, etc., and supplement

A biographical history of the fine arts, being Memoirs of the lives and works of eminent painters, engravers, sculptors, and architects. From the earliest ages to the present time. Alphabetically arranged, and condensed from the best authorities. Including the works of Vasari, Lanzi, Kugler, Dr. Waagen, Bryan, Pilkington, Walpole, Sir C. Eastlake, and Mrs. Jameson. With chronological tables of artists and their schools, plates of monograms, etc., and supplement

Fonte : Internet Archive

A biographical history of the fine arts, being Memoirs of the lives and works of eminent painters, engravers, sculptors, and architects. From the earliest ages to the present time. Alphabetically arranged, and condensed from the best authorities. Including the works of Vasari, Lanzi, Kugler, Dr. Waagen, Bryan, Pilkington, Walpole, Sir C. Eastlake, and Mrs. Jameson. With chronological tables of artists and their schools, plates of monograms, etc., and supplement

A biographical history of the fine arts, being Memoirs of the lives and works of eminent painters, engravers, sculptors, and architects. From the earliest ages to the present time. Alphabetically arranged, and condensed from the best authorities. Including the works of Vasari, Lanzi, Kugler, Dr. Waagen, Bryan, Pilkington, Walpole, Sir C. Eastlake, and Mrs. Jameson. With chronological tables of artists and their schools, plates of monograms, etc., and supplement

Fonte : Internet Archive

Risultati : ROSSI


Pagina 145

he selected Matteo Paocelli and Aniello Rossi, his two favorite pupils, to accompany him as his assistants. They continued with


Pagina 314

ROSSI, Carlo Antonio, a Milanese painter. born, according to Orlandi, about 1580, and died in 1648.


Pagina 314

ROSSI, Antonio, a painter born at Bologna in 1700. He was the favorite disciple of the


Pagina 314

ROSSI, Andrea, an Italian engraver, oora at Rome in 1726, and died in 1790. He engraved


Pagina 315

ROSSI, Niccolo Maria, a Neapolitan painter. born in 1645. According to Dominici, he studied under Luca


Pagina 315

ROSSI, Lorenzo, a Florentine painter, whoj according to Oriandt, was a pupil of Pietro Dan-dini. He


Pagina 315

ROSSI, Girolamo, a painter born at Brescia, who flourished about 1640. He is supposed from his


Pagina 315

ROSSI, Giovanni Battista* called II Gobbi-no (humpback), a painter of Verona, who, according to Pozio, was


Pagina 315

ROSSI, Pasquale, called Pasqualiko oa Vi-cekza, a painter born at Vicenza in 1641. According to Orlandi.


Pagina 316

was the son of Marry Antonio Rossi, a reputable architect from whom he received some instructions, and afterwards entered the


Pagina 316

ROSSI, John Charles Felix, an eminent English sculptor, was the son of an Italian of Siena,


Pagina 316

ROSSI, Giuseppe db, a distinguished Italian architect and writer upon the art, was born at Rome


Pagina 316

ROSSI, Matteo db, an eminent Italian architect, born at Rome in 1637. He was the son


Pagina 316

was probably a descendant of Matteo de Rossi, as the Biographie Univertc Uc says that his father and grand-lather were


Pagina 335

Lanzi thinks rather with Carlo Antonio Rossi, a Milanese painter, who wrought in the Cathedral at Pavia about that time.


Pagina 436

He there became acquainted with Francesco Rossi, called It Salviati whose style he in some measure adopted. In


Pagina 483

receive! his first instruction from Antonio Rossi, a painter of Cadore, if so, it was at a very tender age,


Pagina 617

in 1795. He studied under Charles Rossi, K. A., for seven years, during which time he gained two medals from